Do you remember your favorite Little Golden Book? That familiar golden spine meant you were about to enter into another world. And not just for me, but for some of the leading artists and illustrators of the Disney world of animation today. Glen Keane who did both Beast and Pocahontas for the big screen shared, “When I’m doing a storyboard, I think of it like a book, like you’re turning a page. I lead the viewer to see certain things, through composition, expectation, and rhythm. I think about what’s between the lines, and I look for the words that inspire me. That all comes from the Golden Books (p.113).”
Pete Docter who directed my favorite Pixar film UP added his own insight, “They were rigid, but not too thick. You could build forts or little houses out of them for your stuffed animals. They were multipurpose (p.19).” And Wreck-It Ralph art director Ian Gooding said, “The cover of my copy of Bambi has deep impressions all around the characters because I’d put tracing paper over it and draw them. I must have tried twenty times to paint that thing (p.94).” What I love about Disney Editions’ The Art of the Disney Golden Books are the stories it tells about the long-lasting relationship between these two companies and more importantly how some of the most beloved animation of today has been influenced by these early works.
Title: The Art of the Disney Golden Books
Author: Charles Solomon
Cost: $35.00 (but Amazon is selling it for $24.14 as of 2/4/2017)
Age: 12 and up
Publisher: Disney Editions (DPW)
Genre: Non-fiction, art
Many of Walt’s key artists also contributed to the work in those early Little Golden Books including Disney Legend, Mary Blair. It’s easy to forget in today’s digital age what kind of work went into producing these tiny treasures, but Lion King producer Don Hahn reminds us. “Mary Blair lays down a sky and puts in clouds with dry brush – something that any artist today would do in Photoshop, where you can redo it ten times. She didn’t have a second chance, and there’s not a misstep anywhere. She makes it look easy, and it’s really hard. The simpler the painting gets, the harder it is to keep it clean and under control (p. 49-50).”
For those of us who grew up without a VCR let alone a DVR, Little Golden Books and the like were a window into these beloved Disney classics. John Lasseter, head of Disney animation shared, “Before home video, Disney would rerelease their animated films theatrically every seven years. The Golden Books were one place you could experience the stories of the Disney films when you couldn’t experience them any other way, besides going to Disneyland – and not every film was represented at Disneyland (p.96-97).”
There are so many other great stories about the art and the artists involved in the creation of these gems. If you’re a fan of Little Golden Books and Disney this is a great tome to add to your collection. It is so rich in both Disney history and beautiful art from some of the most classic Disney artists. What better way to celebrate 75 years of little book magic than with this addition to your library.